| Comentarios / Titulos de las canciónes: |
 01. Pluto-Ensemble "Come dal ciel" 02. Romina Lischka "Fantasia 6" 03. Pluto-Ensemble "Io son ferito, ahi lasso" 04. Romina Lischka "Fantasia 2" 05. Pluto-Ensemble "Fantasia Cor mio" 06. Romina Lischka "Fantasia Il vago" 07. Pluto-Ensemble "Il vago e lieto aspetto" 08. Pluto-Ensemble "La tra 'l sangue e le morti" 09. Romina Lischka "Fantasia Latral (parte seconda)" 10. Pluto-Ensemble "O voi che sospirate a miglior note" 11. Romina Lischka "Fantasia O voi che sospirate" 12. Pluto-Ensemble "Crudel, perch? mi fuggi" 13. Pluto-Ensemble "Caggia fuoco dal cielo" 14. Romina Lischka "Fantasia La caccia" 15. Pluto-Ensemble "Fuggi se sai fuggir" 16. Pluto-Ensemble "Gitene Ninfe" 17. Romina Lischka "Fantasia Gitene Ninfe" 18. Romina Lischka "Fantasia O che vezzosa" 19. Pluto-Ensemble "O che vezzosa Aurora" 20. Pluto-Ensemble "Udite, lagrimosi Spirti d'Averno" 21. Pluto-Ensemble "Fantasia Udite, lagrimosi spirti"
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| Informaciones adicionales: |
.. Or Ingenious Parodist? |
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| Descripción: | Was John Coprario taking credit for someone else's work when, under his own name, he made transcriptions of more than fifty Italian madrigals for a consort of viols? Such an accusation would be based on false premises, as anything resembling copyright was unknown at the beginning of the seventeenth century and for long afterwards; the use of musical material by someone else was rather considered as a respectful examination of ideas that were so promising that one wanted to think them through further. When transcribing these Italian madrigals, Coprario was not only extending an established tradition but also transcending it. He did not simply omit the text in his madrigal fantasias as had been customary in the 16th century, but also took the polyphonic setting even further, enriching it with instrumental possibilities that voices alone could not match. He also rearranged certain parts so that the original vocal work is not always immediately recognizable. Coprario, besides being one of the first to give ensemble music an instrumental identity, was no musical parrot, but an ingenious parodist., Runningtime: 00:00:00, Labelcode RMEE2107.2 |
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| N° de títulos: |
21 |
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| N° de fabricante: |
RAM2107 |
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Seguridad del producto
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OUTHERE SA
Rue de l\'?pargne 29, 1000 Br?ssel, BE
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Música de cámara
16.117
- Acordeón 10- Arpa 33- Clarinete 129- Clavicémbalo 24- Contrabajo 20- Cuarteto de cuerda 443- Cuarteto de piano 28- Cuerno 41- Ensemble de cuerda 94- Ensemble de viento 51- Ensemble mixto 78- Fagot 18- Flauta 234- Flauta de pico 58- Guitarra 105- Instrum. antiguos 138- Instrument. de metal 50- Laúd 18- Mandolina 16- Oboe 56- Otros 12.233- Otros Ensembles 222- Percusión 13- Piano 495- Quinteto de cuerda 21- Saxo 53- Trio de cuerda 58- Trombón 20- Trompeta 53- Trío de piano 166- Tuba 3- Viento de madera 40- Viola 71- Violonchelo 324- Violín 606- octeto 3- Òrgano 38Música sinfónica 14.562
