| Bemerkungen / Titelliste: |
 01. Pluto-Ensemble "Come dal ciel" 02. Romina Lischka "Fantasia 6" 03. Pluto-Ensemble "Io son ferito, ahi lasso" 04. Romina Lischka "Fantasia 2" 05. Pluto-Ensemble "Fantasia Cor mio" 06. Romina Lischka "Fantasia Il vago" 07. Pluto-Ensemble "Il vago e lieto aspetto" 08. Pluto-Ensemble "La tra 'l sangue e le morti" 09. Romina Lischka "Fantasia Latral (parte seconda)" 10. Pluto-Ensemble "O voi che sospirate a miglior note" 11. Romina Lischka "Fantasia O voi che sospirate" 12. Pluto-Ensemble "Crudel, perch? mi fuggi" 13. Pluto-Ensemble "Caggia fuoco dal cielo" 14. Romina Lischka "Fantasia La caccia" 15. Pluto-Ensemble "Fuggi se sai fuggir" 16. Pluto-Ensemble "Gitene Ninfe" 17. Romina Lischka "Fantasia Gitene Ninfe" 18. Romina Lischka "Fantasia O che vezzosa" 19. Pluto-Ensemble "O che vezzosa Aurora" 20. Pluto-Ensemble "Udite, lagrimosi Spirti d'Averno" 21. Pluto-Ensemble "Fantasia Udite, lagrimosi spirti"
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| Extra-Infos: |
.. Or Ingenious Parodist? |
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| Beschreibung: | Was John Coprario taking credit for someone else's work when, under his own name, he made transcriptions of more than fifty Italian madrigals for a consort of viols? Such an accusation would be based on false premises, as anything resembling copyright was unknown at the beginning of the seventeenth century and for long afterwards; the use of musical material by someone else was rather considered as a respectful examination of ideas that were so promising that one wanted to think them through further. When transcribing these Italian madrigals, Coprario was not only extending an established tradition but also transcending it. He did not simply omit the text in his madrigal fantasias as had been customary in the 16th century, but also took the polyphonic setting even further, enriching it with instrumental possibilities that voices alone could not match. He also rearranged certain parts so that the original vocal work is not always immediately recognizable. Coprario, besides being one of the first to give ensemble music an instrumental identity, was no musical parrot, but an ingenious parodist., Runningtime: 00:00:00, Labelcode RMEE2107.2 |
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| Anzahl der Titel: |
21 |
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| Herstellernummer: |
RAM2107 |
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Details zur Produktsicherheit
Verantwortliche Person für die EU:
OUTHERE SA
Rue de l\'?pargne 29, 1000 Br?ssel, BE
info@outhere-music.com |
|
Kammerensemble
16.117
- Akkordeon 10- Alte Instrumente 138- Bläserensemble 51- Blechbläser 50- Blockflöte 58- Cello 324- Cembalo 24- Fagott 18- Flöte 234- Gemischtes Ens. 78- Gitarre 105- Harfe 33- Holzbläser 40- Horn 41- Klarinette 129- Klavier 495- Klavierquartett 28- Klaviertrio 166- Kontrabass 20- Laute 18- Mandoline 16- Oboe 56- Oktett (KE) 3- Orgel 38- Posaune 20- Saxophon 53- Schlaginstrument 13- Sonstige 12.233- Sonstiges Ensemble 222- Streicherensemble 94- Streichquartett 443- Streichquintett 21- Streichtrio 58- Trompete 53- Tuba 3- Viola 71- Violine 606Sinfonische Musik 14.562Sonstige Klassik 3.451
