| Details / Tracklist: |
 01. Pluto-Ensemble "Come dal ciel" 02. Romina Lischka "Fantasia 6" 03. Pluto-Ensemble "Io son ferito, ahi lasso" 04. Romina Lischka "Fantasia 2" 05. Pluto-Ensemble "Fantasia Cor mio" 06. Romina Lischka "Fantasia Il vago" 07. Pluto-Ensemble "Il vago e lieto aspetto" 08. Pluto-Ensemble "La tra 'l sangue e le morti" 09. Romina Lischka "Fantasia Latral (parte seconda)" 10. Pluto-Ensemble "O voi che sospirate a miglior note" 11. Romina Lischka "Fantasia O voi che sospirate" 12. Pluto-Ensemble "Crudel, perch? mi fuggi" 13. Pluto-Ensemble "Caggia fuoco dal cielo" 14. Romina Lischka "Fantasia La caccia" 15. Pluto-Ensemble "Fuggi se sai fuggir" 16. Pluto-Ensemble "Gitene Ninfe" 17. Romina Lischka "Fantasia Gitene Ninfe" 18. Romina Lischka "Fantasia O che vezzosa" 19. Pluto-Ensemble "O che vezzosa Aurora" 20. Pluto-Ensemble "Udite, lagrimosi Spirti d'Averno" 21. Pluto-Ensemble "Fantasia Udite, lagrimosi spirti"
|
 |
| Extra-Infos: |
.. Or Ingenious Parodist? |
|
| Description: | John Coprario: Parrot Or Ingenious Parodist? by Hathor Consort, released 2 September 2022.
This version of John Coprario: Parrot Or Ingenious Parodist? comes as a 1xCD. - .. OR INGENIOUS PARODIST?Was John Coprario taking credit for someone else's work when, under his own name, he made transcriptions of more than fifty Italian madrigals for a consort of viols? Such an accusation would be based on false premises, as anything resembling copyright was unknown at the beginning of the seventeenth century and for long afterwards; the use of musical material by someone else was rather considered as a respectful examination of ideas that were so promising that one wanted to think them through further. When transcribing these Italian madrigals, Coprario was not only extending an established tradition but also transcending it. He did not simply omit the text in his madrigal fantasias as had been customary in the 16th century, but also took the polyphonic setting even further, enriching it with instrumental possibilities that voices alone could not match. He also rearranged certain parts so that the original vocal work is not always immediately recognizable. Coprario, besides being one of the first to give ensemble music an instrumental identity, was no musical parrot, but an ingenious parodist. |
|
| No. of tracks: |
21 |
|
| Manufacturer No.: |
RAM2107 |
|
Product Safety
Responsible Person for the EU:
OUTHERE SA
Rue de l\'?pargne 29, 1000 Br?ssel, BE
info@outhere-music.com |
|
Chamber Ensemble
16.117
- Accordion 10- Bassoon 18- Brass 50- Bugle 41- Cello 324- Clarinet 129- Double Bass 20- Early Instrum. 138- Flute 234- Guitar 105- Harp 33- Harpsichord 24- Lute 18- Mandolin 16- Mixed Ensemble 78- Oboe 56- Organ 38- Other 12.233- Other Ensemble 222- Percussion 13- Piano 495- Piano Quartet 28- Piano Trio 166- Recorder 58- Saxophone 53- String Ensemble 94- String Quartet 443- String Quintet 21- String Trio 58- Trombone 20- Trumpet 53- Tuba 3- Viola 71- Violin 606- Wind Ensemble 51- Woodwind 40- octet 3Other Classic 3.451Symphonic Music 14.562
