Titus et B?r?nice (Gro?e dramatische Sonate f?r Violoncello und Klavier)
01. "1. Allegro moderato"
02. "2. Vivace molto movimento"
03. "3. Lento tristamente"
04. "4. Allegro molto movimento" Sonate f?r Violine und Klavier A-Dur (bearb. f?r Violoncello und Klavier)
05. "1. Allegretto ben moderato"
06. "2. Allegro"
07. "3. Rezitativ-Fantasie: Ben moderato"
08. "4. Allegretto poco mosso"
Description:
In this recording Sandra Lied Haga and Katya Apekisheva present two French cello sonatas from the late 19th century. Cesar Franck (1822-90) composed his Violin Sonata when hewas 63 years old, and this Sonata was later arranged for cello. Franck's younger colleague Rita Strohl (1865-1941) composed her "Great Dramatic" Cello Sonata in 1892.
The CD "Werke für Cello und Klavier" by Sandra Lied Haga (cello) and Katya Apekisheva (piano) presents an intimate and finely balanced dialogue between two exceptional chamber musicians. The program focuses on the rich, lyrical and often introspective repertoire for cello and piano, highlighting both the singing quality of the cello and the subtle, color-sensitive role of the piano. With a strong emphasis on clarity of phrasing, natural rubato and a warm, full-bodied tone, this recording offers interpretations that feel both deeply considered and emotionally immediate, making the works accessible to newcomers while remaining rewarding for seasoned listeners. The production values ensure a transparent yet rich sound image, so that every nuance of bowing, articulation and pedal work is clearly perceptible. This disc will appeal to connoisseurs of chamber music as well as to anyone looking for a concentrated, soulful listening experience centered on the intimate partnership between cello and piano.
Sandra Lied Haga and Katya Apekisheva bring together complementary artistic personalities: a cello voice that combines lyrical warmth and structural awareness with a pianist whose playing is marked by sensitivity, sonic imagination and chamber-music instinct. Their collaboration is characterized by a keen sense of balance and mutual listening, avoiding any sense of competition between the instruments. Instead, they shape long lines together, allow thematic material to wander naturally between cello and piano, and give the music space to breathe. Both artists are active on the international concert stage and have attracted attention through their work in chamber music settings; this recording reflects that experience in its organic ensemble playing and refined stylistic understanding. The result is a convincing artistic statement that underscores the timeless appeal of the cello-piano repertoire.
The label Simax, based in Norway, is known for high-quality classical recordings with a particular focus on Nordic artists and repertoire, but also with an openness to international projects and collaborations. For many years, Simax has built a reputation for audiophile productions, careful repertoire curation and close, artist-centered collaboration. Releases on Simax are often characterized by meticulous recording techniques, natural acoustic perspectives and thoughtfully designed booklets that provide context to the music without overwhelming the listener. With "Werke für Cello und Klavier", Simax once again underlines its commitment to chamber music at a high artistic level, presenting a production that combines musical depth with convincing sound engineering and a clear artistic profile.
Chamber Ensemble
16.117
- Accordion 10- Bassoon 18- Brass 50- Bugle 41- Cello 324- Clarinet 129- Double Bass 20- Early Instrum. 138- Flute 234- Guitar 105- Harp 33- Harpsichord 24- Lute 18- Mandolin 16- Mixed Ensemble 78- Oboe 56- Organ 38- Other 12.233- Other Ensemble 222- Percussion 13- Piano 495- Piano Quartet 28- Piano Trio 166- Recorder 58- Saxophone 53- String Ensemble 94- String Quartet 443- String Quintet 21- String Trio 58- Trombone 20- Trumpet 53- Tuba 3- Viola 71- Violin 606- Wind Ensemble 51- Woodwind 40- octet 3Other Classic 3.451Symphonic Music 14.562
